Guest Conducting
Guest Conducting
1 - 5 Days:
Guest Conducting
Major Choral Festivals
College & University Choirs
National, Regional, State Collegiate
Honors Choirs
Guest Coaching: Graduate Students
Conducting
Rehearsing
1 Week - 1 Semester:
Guest Conducting at Colleges & University
A Cappella Repertoire 15th – 21st Centuries: Mixed, Men, Women
Concert Choirs
Chamber Choirs
Masterworks with Chorus and Orchestra
17th – 20th Centuries: Mixed, Men, Women
Artist in Residence/Guest Residencies/Sabbatical Leave Replacement
Conducting Collegiate Choral Ensembles
A Cappella, Concerted, Choral-Orchestral
Oratorio Choruses, Concert Choirs, Chamber Choirs, Vocal Ensembles
Mixed, Men, Womens’ Choirs
Availability
Possible Engagements
Festivals & Events
Choral Festivals
International
National
Regional
Choral – Orchestral Performances
Festivals
Colleges & Universities
Collegiate & High School Honors Choirs: National, Divisional, All-State
Mixed Choirs
Men’s Choruses
Women’s Choruses
Guest Conductor: Festivals
Choral-Orchestral Masterworks
A Cappella Gems & Masterpieces: Renaissance, Recent, Romantic
Concerted Works of Monteverdi & Schütz
Chamber Choirs, Soloists, & (Period) Orchestras
Concerted Works of Bach & Händel
Masses of Haydn, Mozart, Beethoven
Colleges & Universities
Mixed Choirs: Oratorio, Concert, & Chamber Choirs
Choral-Orchestral Masterworks
A Cappella Repertoire
Renaissance Choirs
Gems & Masterworks: Sacred Repertoire
Vocal Chamber Music: Secular Repertoire
Chamber Choirs, Soloists, & (Period) Orchestras
Concerted Works of Monteverdi & Schütz
Concerted Works of Bach & Händel
Masses of Haydn, Mozart, Beethoven
Men’s & Womens’ Choruses:
A cappella Works: Renaissance, Romantic; 20th & 21st century music from:
U.S., Canada, West & East Europe, Asia, Scandinavia, South Africa,
South America
Choral-Orchestral Repertoire: 17th, 19th, 20th Centuries
Coaching Conductors
How to Prepare for the Rehearsal
Score Study & Preparation: Development of the Mind’s Ear
Reflections of the Mind’s Ear of the Score: Marking the Score for Rehearsal
Preparing the Score & the Ear for Rehearsing
Foundations for Rehearsals: Philosophy, Psychology, Energy
Rehearsing: Techniques for Hearing (Rehearing), Listening, & Fixing
Measuring the Sound & Progress of the Choir against your Mind’s Ear of the Score
Specific Techniques for Fixing: Intonation, Balance, Ensemble Rhythm, Vowels
Specific Techniques for Clarifying: dynamics, phrasing, articulation, line, rubato
Choral Standing/Seating Positions for Hearing & Attaining Rehearsal Goals
Choral Rehearsal Preparation for Choral-Orchestral Rehearsals
Conducting:
Principles & Perspectives
Technique: Clarity & Precision
Pulse, Ictus, Tempo, Meters, Patterns
Starts, Stops, Subdivisions, Merging, Fermatas, Cues
Right arm/Left arm coordination & differentiation
Posture, Energy, Eyes: seeing the score/looking at the choir
Technique: Expressivity
Dynamics, Phrasing, Articulation, Linear Direction, Rubato
Highlighting, Minimizing, Reinforcing, Differentiating
Gestural Conducting – the mental-aural image of the score
Reactive and Supportive Conducting – the choir
Leadership, Presence, Authority
Conducting the Score/Conducting Your Interpretation/Conducting the Choir
Style & Performing Medium:
Conducting Renaissance Choral Music
Conducting Major Works with Chorus & Orchestra
Conducting: Recitatives, Ariosos, Arias
Mixed Choirs (40 years)
Vassar College Choir
Cappella Festiva Chamber Choir & Orchestra
Bard College Community Choir
Harvard-Radcliffe Collegium Musicum
Mens’ Chorus (33 years)
Lehigh University Glee Club
Harvard Glee Club
Womens’ Chorus (24 years)
Vassar College Chorus
Radcliffe Choral Society
Conducting Experience
1970-1978
1974-1978
1974-1978
1978-2010
1967-1968
1978-2010
1969-1978
1995-2010
“Marvin’s conducting encourages free, generous sonority, the healthiest, most rewarding way to sing.”
–The San Francisco Chronicle
“Director Jameson Marvin deserves much acclaim for his skill at directing choral music, and for achieving such a delicate blend of voice parts.”
–The Boston Globe
“It has been an honor and a privilege of the highest degree to study choral music with such a talented and inspiring conductor… I will never forget the beautiful moments of musical transcendence we shared together.”
–Radcliffe Choral Society ’10 alum